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Alma-Tadema, Sir Lawrence Sappho (mk23) oil painting


Sappho (mk23)
Painting ID::  22943
Alma-Tadema, Sir Lawrence
Sappho (mk23)
1881 Oil on canvas,66.1 x 122 cm(26 x 48 in) Walters Art Gallery,Baltimore

   
   
     

Alma-Tadema, Sir Lawrence An Apodyterium (mk23) oil painting


An Apodyterium (mk23)
Painting ID::  22944
Alma-Tadema, Sir Lawrence
An Apodyterium (mk23)
1886 Oil on wood,44.5 x 59.5 cm(17 1/2 x 23 3/8 in) Private collection

   
   
     

Alma-Tadema, Sir Lawrence A Balneator (mk23) oil painting


A Balneator (mk23)
Painting ID::  22945
Alma-Tadema, Sir Lawrence
A Balneator (mk23)
1877 Watercolour,36.5 x 26.5 cm(14 3/8 x 10 3/8 in) Private collection

   
   
     

Alma-Tadema, Sir Lawrence Welcome Footsteps (mk23) oil painting


Welcome Footsteps (mk23)
Painting ID::  22946
Alma-Tadema, Sir Lawrence
Welcome Footsteps (mk23)
1883 Oil on wood,41.9 x 54.8 cm(16 1/2 x 21 5/8 in) Private collection

   
   
     

Alma-Tadema, Sir Lawrence 94 Degrees in the Shade (mk23) oil painting


94 Degrees in the Shade (mk23)
Painting ID::  22948
Alma-Tadema, Sir Lawrence
94 Degrees in the Shade (mk23)
1876 Oil on canvas(mouted on wood),35.5 x 21.6 cm(14 x 8 1/2in)Fitzwilliam Museum,Cambridge

   
   
     

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     Alma-Tadema, Sir Lawrence
     b.Jan. 8, 1836, Dronrijp, Netherlands. d.June 25, 1912, Wiesbaden, Germany. Painter and designer of Dutch birth. The son of a notary, Alma-Tadema demonstrated an early artistic ability. In 1852 he entered the Antwerp Academy, where he studied under Gustaf, Baron Wappers, and Nicaise de Keyser. An important influence at this time was Louis De Taye, Professor of Archaeology at the academy and a practising artist. Alma-Tadema lived and worked with De Taye from 1857 to 1859 and was encouraged by him to depict subjects from the early history of France and Belgium. This taste for historical themes increased when Alma-Tadema entered Baron Henri Leys studio in 1859 and began assisting him with his monumental frescoes for the Antwerp Town Hall. While in Leys studio, Alma-Tadema produced several major paintings, for example the Education of the Children of Clovis (1861; ex-Sir John Pender priv. col., see Zimmern, p. 3) and Venantius Fortunatus Reading his Poems to Radagonda (1862; Dordrecht, Dordrechts Mus.), which are characterized by their obscure Merovingian subject-matter, rather sombre colouring and close attention to detail.

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